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The Nonprofit FAQ > Development >

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Do volunteers own the copyright when they contribute creative works?

Summary:

US law specifies that the creator owns the copyright unless specific agreements are in place.

Answer:

Stephen C. Nill (Stephen_Nill@CharityChannel.com) wrote to
CHARITYLAW on the subject "Copyright Law" on November 7, 1998:


Robbie Dawson wrote asking about how the U.S. copyright law applies
to artwork or other written work provided by a volunteer to a nonprofit
organization. She provides the following hypothetical:

"A volunteer creates a logo for a new fundraising event. An advertising
company contacts the volunteer and would like to use the logo, created
for your organization=3D92s event for an unrelated advertising campaign.
Does the copyright belong to your organization or the creator (the volunteer)?"

The answer to this question lies not so much in the law of U.S.
tax-exempt organizations as in the law of U.S. copyright. However,
by adding the element of "volunteer" to the mix, it becomes an
interesting cross-over question and one well-suited to this forum.
I will use the word "charity" here to denote the entity for whom the
work is created; however, there is nothing unique in how these rules
operate for charities as contradistinguished from their for-profit
brethren.

The starting point in all U.S. copyright ownership issues is the
general rule that the individual who creates a work is the initial
owner not only of the work, but of its copyright. The copyright
protection applies the moment the artist or author creates the
work -- even before the work is finalized. Additionally, the
copyright protection applies whether nor not the artist/author
affixes the © symbol or the words Copyright [date] to
the work, or chooses to register the work with the Register of
Copyrights in Washington, D.C. or with any of the state equivalents.

Under the Copyright Act, however, the rule is sometimes reversed for
"works made for hire." There are two categories: works created by
traditional employees and works created by independent contractors.
If the work is one made for hire, the creator does not own the work
or the copyright, but rather it belongs to the charity for whom the work is
created. In contrast, if it is created by an independent contractor, both the work and the copyright are owned by the creator of the work.

Is the Volunteer an "Employee"? It thus becomes important to
determine whether or not a volunteer is an "employee" within the
meaning of the Copyright Act. Under CCNV v. Reid, 109 S.Ct. 2166
(1989), the volunteer is an "employee" for these purposes if the
charity has the right to control the manner and means by which the
work is created. Titles and even how the parties themselves
characterize their relationship are disregarded. Unfortunately,
there are no concrete guidelines. The issue must be settled on a
case-by-case basis by the courts.

In one case, involving an "employer" who didn't pay the "worker's"
Social Security taxes and other employee benefits -- as would be
true with a volunteer --, the court refused to find an
employer-employee relationship. Aymes v.Bonelli, 980 F.2d. 857 (2d
Cir. 1992). My reading of this and other cases in this area would
lead me to believe that it's unlikely a volunteer, who by definition
receives no compensation or other employment-related remuneration,
ever will be deemed an "employee" for purposes of the Copyright Act.
Unfortunately, there is no statutory "per se" rule in this regard.
It is up to the courts to decide on a case-by-case basis.

That brings us to the question, Is a volunteer an "independent
contractor"? If so, the work, and its copyright, is presumed to be
owned by the creator and not the charity (at least, if the work was
created on or after January 1, 1978, when the law changed). Since
there are only two categories, employee and independent contractor, it stands to reason that it's much more likely a work created by a volunteer is
a creation of an independent contractor within the meaning of the
Copyright Act. (Either that, or the work was simply created by the
volunteer without any "work for hire" character, in which case the
volunteer owns the work and its copyright as per the basic rule.)

While it is sometimes possible to reverse the "independent
contractor" presumption that the work, and its copyright, is owned
by the creator by interposing a written contract to that effect, the
creation of a logo does not fit into any of the nine categories set
forth by the Copyright Act for doing so: a contribution to a
collective work, a part of a motion picture or other audiovisual
work, a translation, a compilation, an instructional text, a test,
an answer material for a test, an atlas, or a supplementary work.

No matter. The volunteer/creator may nevertheless transfer his/her
work to the charity as a charitable contribution. The transfer must
be in writing and signed by the owner of the rights conveyed or
his/her authorized agent. 17 U.S.C. Sect. 201(b). (Interestingly,
the transfer of the work, and its copyright, to the charity is a charitable
contribution.)

For these reasons, it is vitally important that the charity obtain a
writing signed by the creator which clearly conveys copyright rights
to the charity. Such a writing should best be obtained at the
outset, to avoid misunderstandings, but may be obtained after the
fact if the volunteer is willing to sign such a document.

In the hypothetical above, there was no mention of a writing signed
by the volunteer. There is no doubt the volunteer, either orally or
by implied conduct, conferred on the charity a nonexclusive license
to utilize the logo for the original use for which it was created.
A nonexclusive license is the right by the charity to use a work in
the manner permitted by the copyright holder, and which does not
prevent the copyright holder from licensing the work to others -- a
dire result if the logo is also a well-marketed trade symbol of the
charity.

Even though the charity probably received, by oral contract or by
the volunteer's conduct, a license to use the work, it becomes
questionable whether or not the logo can be used for other, even
related, purposes. The advertising company quite likely would not
be permitted to utilize the logo for an unrelated advertising
campaign without the express permission of the copyright holder, the
volunteer. Doing so might subject both the advertising company and
the charity to a copyright infringement claim.

It therefore becomes vitally important for a charity receiving free
volunteer services such as logo creation or other written works --
even web site design -- to enter into a written agreement,
preferrably before work is commenced but no later than the new use
of the work, spelling out that the copyright ownership in the work
is being transferred to the charity.

(Be careful not to attempt to define the original owner of the work
as the charity unless it happens to fit within one of the nine
categories discussed above.) For my own nonprofit clients, I have
tried to "artfully" incorporate such conveyance language into an
"Acknowledgement of Donation" document which acknowledges and
accepts the generous offer to create a written work (such as a logo,
ad copy, policy manual, photograph, web page design, etc.) and
specifies that the copyright in the work is being transferred to the
charity.

Caveat: Discussion forums are an increasingly popular
medium for the interchange of techniques, experiences, and opinions. However, they are not a substitute for professional counsel. Neither this, nor any
posting to an Internet discussion forum, shall constitute the rendering of
legal, tax, securities, insurance, real estate, or other advice. No
attorney-client relationship is formed hereby. Always consult with
competent legal counsel on important questions of law.


Stephen C. Nill, J.D.
Rancho Santa Margarita, California USA
Web site: http://CharityChannel.com

The question Stephen Nill was responding to, and some other
observations on this topic, are included in this earlier
correspondence quoted by Brenda Ruth:

"I remember at the class you said that any design on the web is
property of the designer. (Did I remember that correctly?)"

In general, any creative works are automatically copyrighted to the
creator. By default, the creator holds copyright at the time of
creation, regardless of whether the creator posts the (c) signs on his/her
work. (People put those (c) signs on to show that they are actively
defending their copyright; this can be important if copyright is ever
challenged.)

For web design, this means that if I create a GIF and post it on my
page, that GIF is automatically copyrighted to me unless I choose to
give or sell the copyright to someone else. As a professional web designer,
my contracts typically state that I relinquish copyright to my clients.
(This is called a work-for-hire arrangement) There are exceptions
and caveats to this, but in general, this is the way I run my business.

Other web designers may do it differently.

In terms of BCN, I think your agreement between BCN and BCN clients
needs to state:
  1. who retains copyright. This agreement needs to specifically
    state who holds copyright on text, graphics, and any scripts
    (programs) that are created.
    • There are special copyright considerations when using certain
      types of clip art or stock photos. I won't get into the details in this
      note, but basically, if a designer has a license to use copyrighted
      artwork, the designer usually cannot transfer that copyright to the designer's
      client.
  2. whether the designer (a BCN volunteer) retains the right to make
    derivative works. For example, if BCN volunteer designs a logo for
    a BCN client, does that volunteer have the right to modify the logo for
    use by another BCN or private client?
  3. whether the designer (a BCN volunteer) retains the right to
    excerpt portions of the client's web site for use in his/her portfolio. The
    agreement needs to state whether both hardcopy and online (web-site)
    portfolios are covered. Note that anyone can excerpt limited
    portions of a web site (or other media) under the "fair use" doctrine, but your
    BCN volunteers may want to excerpt more than that.

Brenda, I did not use a lawyer to draw up my contract, but I know
there are several other types of copyright issues. I would strongly
suggest that you contact BCN's legal counsel for intellectual property law. If
you don't have an agreement in place, or if the agreement does not cover
copyright, it's just a matter of time before a problem comes up.

For example:

"A volunteer creates a logo for a new fundraising event. An
advertising company contacts the volunteer and would like to use the
logo, created for your organization=EDs event for an unrelated
advertising campaign. Does the copyright belong to your
organization or the creator volunteer)?"

My understanding is, if no contract is in place that addresses the
intellectual property issues, then the volunteer still owns
copyright, and the volunteer is free to use that logo elsewhere.

Again, check with an attorney. Do not rely on my advice! thanks,
Laurie

The National Council of Nonprofit Organizations has a useful paper on copyright infringement questions as they come up for nonprofit organizations on its website at http://www.ncna.org/_uploads/documents/live//Copyright_Infringement.doc

Vicki Pellegrini Cooper, the Membership Director for LibertyNet
in Philadelphia (
http://www.libertynet.org), supplied this useful text:

LibertyNet has been matching volunteer web designers with nonprofits
for about 4 years now. I contacted a lawyer back in 1995 when the issue
of copyright came up. We created an agreement that all nonprofit
members of LibertyNet must sign. Here is the paragraph that deals with
copyright:

"That upon request, LibertyNet may provide me or my nonprofit
organization (collectively, the "Information Provider") web authoring services.
If these services are furnished, and unless there is a written agreement to
the contrary, the Information Provider shall be the sole owner of all
rights under copyright in any web page or web site and its underlying HTML
code (collectively, the "Web Site"), which LibertyNet or its volunteers
create. In consideration for these services, the Information Provider agrees
(1) to grant LibertyNet a license to electronically distribute and display
the Web Site for the duration of this Agreement, and (2) to maintain the Web
Site exclusively on LibertyNet's file server for a period of not less
than one year from the date of this Agreement."



Reposted, with additional information, 11/14/98, 8/10/05 -- PB





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